This was a bad day.
The Eagles – New Kid In Town
We’d only been inside twenty minutes, my dad and I. We’d gotten back from visiting my grandmother out of state, and stopped off 10th street for a quick meal. I parked in the deck, a lot that seemed safe. I’m always careful. Didn’t think twice about it.
It was a smash and grab. They must have just seen the backpacks in the trunk and gone for it. No way to know that they’d scored a good payoff.
Junip – Don’t Let It Pass
After the police had come and gone with the report and the serial numbers for everything stolen, I had to take stock. I’d lost my secondary camera, prime portrait lens, a vintage film camera and its prime lens, my laptop and portable hard drive, other electronics and photography related gear. In all, close to $3,300 gone if depreciation was accounted for. Not including my dad’s work laptop and the $500+ in damage to my car.
One of my first blog posts was an explanation of why photography business insurance is good for the client. This is the story of why it’s good for the photographer.
My policy is through CNA. By the time this happened, I’d had the policy over two years. It was a comfort in my back pocket, something I never thought I’d have to use but it made me feel more safe and secure, worry less about my gear and got me out shooting more. Smart backup policy meant that I didn’t have to worry about loss of data. I constantly back everything up in triplicate, a complicated process I’d put in place early on in my business that is now as easy as uploading the data to any one of three computers that then quickly send the data to backups at the other two locations along with a private server in my house and an off-site cloud server run by Crashplan. I was never happier to have those routines in place. I didn’t lose any data. There would have been no way to recreate it if I had. Paranoia in this business is a good thing.
The Black Crowes – Twice As Hard
Within a day, CNA had contacted me back, had been in contact with the police, had copies of all the serial numbers from all my gear lost (because that’s what you have to do when running a photography business, keep records of everything you purchase and rent). Within a week they’d cut a check to replace my lost materials. Unlike me, they didn’t count depreciation and I was actually able to upgrade my equipment. Within two weeks of the theft, I had a new rear windshield and an upgraded camera, lens, and laptop. Without my insurance, it would have taken me a long time to recover, and I wouldn’t have been able to do weddings for a while until I could afford a new camera body.
There are a few types of insurance a good photographer, especially if they work events or weddings, needs to have. The first is multiple cameras. That’s the most immediate kind of insurance there is. If one breaks, you have another. The next is a good contract that protects their client and themselves. The third is insurance. If I had lost that gear with a wedding on it… that thought alone would be painful. But I would have been able to repay the couple for the financial burden lost. Without the insurance? The end of my career in photography period.
The Jimmy Hendrix Experience – All Along The Watchtower
If you’re a potential client looking for a good wedding photographer- whoever you meet with, make sure they have insurance. If they don’t, don’t hire them. No matter what they offer you.
If you’re a photographer even glancing an eye towards weddings or events- buy insurance. Just do it. Don’t make excuses. It’s worth the cost.